At Long Last

The cover of Nick's book "Life and Longbows".

My love of literature began at infancy.

My mother would dispute anyone who dared challenge the statement. According to her, all three of us Viau boys latched on to specific objects around the house without any prompting or explanation. My brother Matt loved hammers and hitting things with them. My brother Isaac loved whatever he could find on the floor and fit into his mouth. And I loved books.

“My Nick always loved his books.” She’d say. “You shook whenever you’d see one and pretended to read them to me the moment you learned to babble.”

That love for reading grew with me. I looked forward to Book Order time and always had a pile on my desk the day they’d arrive. Mom never said “no” to books. She put a premium on them and it stuck with me.

The third grade was my first literary epiphany. I enjoyed everything I read, including youth classics like Charlotte’s Web and Jerry Spinelli’s Maniac MacGee, which is still my favorite youth novel of all time. It was during this time, I discovered outdoor authors Gary Paulson and Jean Craighead George. Their novels Hatchet and My Side of the Mountain, spoke to me in ways no other books had. I grew up in the woods and spent hours exploring, making forts, crafting weapons, and knocking over decaying birch tree stumps. The idea of kids surviving on their own in the wild was everything I’d ever wanted in a story. I was so infatuated with Hatchet, in factthat I saved up the $50 and bought a leather-wrapped Estwing. It hardly left my side for several years.

The seed had been planted and was cultivated in middle/high school through Richard Adam’s Watership Down and Brian Jacques’ Redwall series. While not “outdoorsy” per se, the animals were the main characters, and the storytelling was top notch. I had little issue relating to the characters or the world, in which they lived.

While my appetite was always there, my tastes changed in college. Giants such as Crane, London, Twain, and Hemingway changed the way I looked at literature. Reading it was no longer enough. I needed to participate and believed I could. The next few years were spent on songs and poetry with the occasional short story sprinkled over the top. But I was lacking a consistent topic and an outlet to share my work.

I found the topic when I discovered archery in 2009. The outlet arrived in 2010, when I discovered blogging and created Life and Longbows. Still, the education was far from over. The journey had just begun. My archery immersion led to my re-acquaintance with the outdoors, which led to further writing discoveries. Authors such as MacQuarrie, Ruark, Voelker, and Colonel Tom Kelly changed the way I saw the page. Gordon MacQuarrie, in particular, had a profound effect on me. He showed me the power of relationships, humor, and dialogue and how they could make a good hunting/fishing story a great one.

This changed the game completely. I no longer felt that my outdoor experiences were inadequate in comparison to other hunters. In fact, I realized comparing was silly to begin with. The value of an experience is subjective to the hunter. Some search for solitude chasing moose in Alaska. Others long for the romance of the Dark Continent. And some find satisfaction hunting whitetails in their backyard with a buddy or two. This is where the idea for Life and Longbows manifested.

I wanted to introduce you to a younger me, walk you through my experiences (good and bad) and show you how I got to this point — with as much transparency as possible. I am no expert. I wouldn’t even call myself a “good” bowhunter. But I do love bowhunting and the people I’ve hunted with.

All that being said, I hope you will consider purchasing Life and Longbows and will recommend it to your friends when you are finished. I hope you will enjoy reading it, as much as I enjoyed writing it.

You can purchase a signed copy of Life and Longbows here



Getting to the heart of “In the Heart of the Sea”


I recently watched a Ron Howard movie called In The Heart of the SeaFor those of you who haven’t seen the film or have little desire and just want to know why I’m referring to it in a bowhunting blog, you can find the trailer here and the plot below:

Note: the following contains spoilers. STOP NOW if you intend to see the film.

In 1850, author Herman Melville visits innkeeper Thomas Nickerson, the cabin boy and last survivor of the whale ship Essex, which sank somewhere in the Pacific ocean after being stoved in two by a gigantic, albino sperm whale. Several sailers are killed in the attack and the survivors are forced into the sea in their whaling skiffs. Tragedy follows as they traverse miles of open ocean, are attacked by the whale (who is now trailing them), and escape to Henderson Island. Tragedy strikes again, as they run out of food on the tiny island and realize they aren’t going to last long if they all stay. Four men decide to remain for various reasons. The rest decide to leave with the hopes of finding land. After months of being adrift the men are in dire straits and resort to cannibalism to stay alive. Just when you think things couldn’t get any worse, the whale approaches a third time. Master whaler Owen Chase (Chris Hemsworth) has a chance to kill the whale as it offers it’s flank, but cannot bring himself to do it after looking in the animal’s eyes. The whale then leaves (without attacking) and swims off into the sea. Chase is scolded for not killing the monster and the boats drift apart in the current. One boat is rescued following their separation. Chase and Nickerson are in the boat that isn’t rescued and end up drifting into a South American harbor. (Go here for a more detailed rundown of the movie.)

Moby Dick is one of my favorite works of fiction and I’m a sucker for movies featuring huge, supernatural monsters. I didn’t expect the movie to have a strong plot or change my life in a profound way. Rather, I approached it with a mug of beer and the expectation of being entertained. This was true for the most part. The movie held my attention from beginning to end and the scenes featuring the whale were incredible but I walked way in deeper thought than expected.

Fist, I loved the Owen Chase character and Hemsworth’s portrayal of him. He’s a seasoned hunter and an adventurer, but also a family man with a young son and a pregnant wife at home. He loves his family but cannot resist the pull of the sea and thrill of the chase. Any hunter who has left his/her family for a hunting trip can relate. The draw to the woods is irresistible. Leaving the ones that love you most is wrenching. “Hunter’s guilt” is very real and evident in Chase. It was a trip to get inside the head of a professional whaler in the 1800s, as well. While barbaric in nature, whaling was a necessary evil and a business. It was also a very dangerous pursuit for the men involved and taxing for their families on shore. I found myself relating to Chase as he kissed his family goodbye and joined the crew for the hunt.

Once at sea, there were two scenes that really struck me. The first is Chase and crew’s first hunt and successful harvest aboard the Essex. They encounter a herd of sperm whales and immediately set out after them in their skiffs. Chase comes alive in this scene, as the boat glides amidst the giant mammals. You can tell this is his favorite part of the hunt and what he lives for. Hemsworth does a fantastic job selling the raw excitement of what it feels like to be a hunter pursuing an animal, which couldn’t have been an easy feat, considering the whales around him are CGI.

The climax of the scene is the harvest. They separate a large bull and Chase does what he is paid to do. The whale puts up a fantastic fight but eventually tires itself out and is finished off by Chase and crew. This part of the scene isn’t for the feint of heart and is quite sad, but that is what is special about it. You notice a change in Chase when the whale surfaces and he delivers the killing blows. The excitement has wained and the reality of what he has done has set in. You can see it in his eyes, the blood on his face, and in his body language. It is obvious he has a deep respect for the animal and the pursuit is what matters most to him. The killing is simply an ugly means to an end.

Hemsworth deserves major kudos for capturing this moment. It is one any bowhunter can relate to and appreciate. The resources an animal provides are fruitful but it is the thrill of the pursuit – the challenge – that drives us to do what we do. If we didn’t have a special bond with the animals we hunt, we wouldn’t be using sticks with strings at intimate distances to get the job done.

The second scene is Chase’s sparing of the albino whale. I’m sure an entire post could be dedicated to why he let the monster go, but I’ll summarize with a few of mine:

1) He was near death and knew the whale would kill him in the aftermath of being harpooned a second time.
2) He suspected this was no ordinary whale and couldn’t be killed by a man.
3) Karma. He believed they had provoked the whale and deserved it’s wrath.

These are all viable reasons with plenty of evidence to back them up, yet I’m more inclined to believe there is another possibility that stayed Chase’s harpoon – the respect of a worthy adversary. Any bowhunter who has been at it long enough has encountered an animal that took their absolute best and walked off without a scratch. These always make the best stories. A hunter does all the prep work, puts in the time, does everything right, but is repeatedly bested by the animal (my hunting buddy Steve Angell wrote a wonderful example here). Experiencing such a thing is quite special. There is no greater illustration of the bond between hunter and game. The scene addresses the bond quite well and probably could’ve ended it right there, despite drawing on another 20 minutes to wrap up the necessary loose ends.

Overall, I enjoyed the film immensely. I think that any bowhunter (traditionalists in particular) will find it entertaining and will probably have some of the same thoughts I expressed above. Feel free to share in the comments if so.

In the Heart of the Sea is the movie adaptation of Nathaniel Philbrick’s book of the same name. You can check that out on Amazon or Kindle here. I intend to.